Máximo González

 

Born 1971m in Paraná, Entre Ríos, Argentina

 

The value of the money, the images that the bills contain, the form that the collage adopts as well as the narration constructed, constitute the content of each piece. The reutilization, as a form of vindication of the transformed objects as well as of the transformation on the material and agents involved, are a subject common in Máximo González works. He analyze time going by on speeches, how they can expire or become effective according to the opportunity and the surrounding reality. His work does not appeal to a unique sector of the population; it is based on experiences of the daily life and tries to arrive at groups of different social, cultural and economic levels.

 

 



Máximo González, Situación. Saddam con Reina, 2007, 43 x 64 cm, Collage, out of currency money


Máximo González, Conquistador con Indio, 2007, 50 x 54 cm, Collage, out of currency money


Máximo González, Primer gobernador del banco de Escocia, 2007, 49 x 53 cm, Collage, out of currency money


Máximo González, Insomnio, 2009, 38 x 28 x 3 cm, Draw, acrylic box, gold sheet


Máximo González, Insomnio, 2009, 38 x 28 x 3 cm, Draw, acrylic box, gold sheet